On Why Joni Mitchell Deserves Her Due

Longreads

At Bookforum, Carl Wilson writes on the genuis of Canadian singer-songwriter Joni Mitchell. In looking at David Yaffe’s Reckless Daughter: A Portrait of Joni Mitchell, Wilson argues that Joni’s musical talent and accomplishments have been “asterisked” over the years because she was a woman, and that it’s long past time she got the recognition she deserves for pushing musical and cultural boundaries with songs built on her “chords of inquiry” (unique chords based on her own tunings).

It’s 1984 or 1985, Prince and the Revolution are in California, and they decide to drive out to Joni Mitchell’s house in Malibu for dinner. All devotees—Prince says his favorite album ever is 1975’s The Hissing of Summer Lawns—they chat and admire her paintings, and then Prince wanders to the piano and starts teasing out some chords. “Joni says, ‘Oh wow! That’s really pretty. What song are you playing?’” as…

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